• 衝浪—鄭文昕個人作品展

    Surfing—Zheng Wenxin Solo Exhibition

    12/09-31/10/2020

    「衝浪—鄭文昕個人作品展」是藝術家鄭文昕女士把其獨有的敏感和清醒,轉化成繪畫、裝置和視像等語言,嘗試和這個現代人都無法置身事外的大數據時代展開對話,這是鄭文昕女士專門為澳門創作的嶄新系列作品。

    與其說這“衝浪”是一個展覽,不如說它更像是藝術家創造出的虛擬程式世界的「母體」。同時「衝浪—鄭文昕個人作品展」的繪畫作品中,藝術家以其特有的曼妙色彩和秀美筆觸表現出一般人在海灘休憩的閒適感;結合裝置中有充滿寓意的網和救生圈等物品,加上內有乾坤的海洋視像…然而當觀眾進入展場參觀,心中產生的卻是一種難以言喻的不協調感 — 就像我們的日常:在風和日麗的沙灘邊享受日光浴邊透過網路,不動聲色地瀏覽著人生無常或天災人禍,然後啜一口冷飲,悠然地為雙腿多塗一層太陽油。

  • Dino Art Toy BOOM

    25/07-29/08/2020

    這次展覽命名為《Dino Art Toy BOOM》,玩具創作人、設計師兼插畫師Siomeng Chan (陳紹明) 把BOOM視為一個起點,一個開始,寓意澳門art toy的誕生。

    說起art toy,不得不聯想到當代著名藝術家Kaws與他第一件所創作的玩具《COMPANION》,這個玩具後來延伸到千件產品、藝術作品,甚至在社交媒體;Kaws嘗試將自己的概念轉化在卡通人物上,顛覆了原來人物的角色扮演,具有幽默及玩味感。Art toy是把藝術的元素及趣味性放在玩具當中,香港Figure教父Michael Lau (劉建文)更開創art toy這門新穎的媒界去表達藝術。而Siomeng覺得,art toy有更多的無限空間。

  • 沙沙滾作品展

    Naughty Roll Design Show

    24/5-11/7/2020

    不同於一般展覽的大幅作品,這次「Naughty Roll 沙沙滾」的作品偏向細幅而量多,並且在一個畫面裡有更多細小的元素,他們的作品就是出版及產品,需要讀者近距離打開閱讀。雖然四位設計師風格不同,可由於大部份作品以Risography 孔版印刷製作,也因為Riso的印刷可以印到螢光色,以及因拼色造成自然錯位及網色等獨特的印刷效果,使他們的其他印刷作品以及展場佈置也沿用鮮豔的色彩,在不規律中見到秩序,從瑣碎中集成大畫面,將原本不同風格的作品連貫起來。

  • 藝術真味

    Taste from Art

    龍雲生繪畫作品展
    Vincenzo Luongo Selected Works

    22/2 - 2/5/2020

    Vincenzo身心都沉溺在繪畫的狂喜中,凡是到他手中的物品和材料,他都想到辦法用來創作,例如,砂紙、舊書、廢棄的唱片,甚至他自己烘焙的麵包。Vincenzo indulged himself in the ecstasy of painting. Anything could turn into his creation materials, such as sandpapers, old books, discarded records, and even his baked bread.

  • 家.圓融

    Family Harmony

    黃光輝陶藝設計作品展
    Exhibition of Ceramic Designs of Huang Guanghui

    15/12/2019 - 11/1/2020

    在強調獨立和個性化的現代,我們可能忘記了追溯自己的根源 —— “家”。來澳定居十年,澳門成為了能把設計師黃光輝留下來的家。Living in a modern era that emphasises independence and individuality, we might forget the importance of tracing our roots and getting to know the true meaning of ‘home’. Having settled down here in Macao for ten years, designer Huang Guanghui has found her own reasons to make Macao a place she calls home.

  • 內港社區小誌作品展(2019)

    Inner Harbour Zine Exhibition 2019

    28/9-30/11/2019

    「內港社區小誌」是一個社區藝術計劃,希望透過深入了解、親手創作,製成一系列富有個性的小誌(Zine),記錄內港的大小故事。2019年,計劃聚焦下環區,換一個視角,齊來感受下環區的濃厚味道,同時展現下環的社區魅力。

  • 執子之手

    Your Hand in Mine

    野田哲也《日記》作品選 許敏志藏品
    TETSUYA NODA (DIARY) Selected Works-Steven Co Collection

    10/11 – 7/12/2019

    感謝野田氏《日記》的記錄,讓我確確實實地見證了由"執子之手"起到"與子偕老”之間的朝朝暮暮,原來這不僅僅是一首古老的詩。Thanks to Noda's Diary series, I was able to witness the long journey they have walked together, side by side, step by step from - your hand in mine - till the end of time. The power of commitment does travel time.

  • 樂園──歡迎回家

    Paradise - Welcome Home

    裝置、現成物及文件展
    Installation, Ready-made and Document Exhibition

    6/10 – 2/11/2019

    有時候,我們以為自己過得不錯,但一張沙發、一張茶几、一塊床單、一堆垃圾⋯⋯可能透露了我們難以掩飾的一面。Sometimes we think we are leading a decent life, but a sofa, a tea table, a piece of bed sheet, a pile of rubbish... may reveal something that we cannot conceal.
    This exhibition is made up of a series of in-depth interviews, trying to investigate the concept of "family" in Macao, and explore the reality of our existence in the soon-to-be 'most (GDP) affluent city of the world'.
    展覽由連串的深入訪談組成,嘗試以「家」為載體,在即將成為全球GDP最富有的城市中,探問生存的實相。

  • 嚐樂

    Taste the happiness

    方家揚、李少玉攝影作品展
    Keith Fong & Odia Lei's photo exhibition

    8/9-28/9/2019

    生活在消費主義大行其道的都市,我們的起心動念都與物質有關,甚至連我們所認知的快樂,也只不過是和欲望或物質掛鉤的聯繫匯率,把它包裝成美好的樣子,為的只是更好地推銷出去。Living in a city where consumerism is badly prevalent, what gets us excited appears to be relating to materials. Even the happiness we once knew is now re-defined or measured by our material desires and it has been objectified as a product that needs a beautiful packaging image in order to better convince people that is happiness.

  • 思緒——多媒體藝術雙人展

    Thoughts and Emotions - a Multimedia Dual Art Exhibition

    劉岩 X 蔣靜華
    LIU Yan X Catherine, CHEONG Cheng Wa

    28/7 – 31/8/2019

    現居加拿大的內地藝術家劉岩與澳門藝術家蔣靜華,她們同時於2006年開始留學法國,這次展出她們的多媒體作品。劉與蔣在追尋自己的藝術創作歷程上都經歷了不少腦震盪,尤其是在法國高等藝術學院修讀藝術課程期間,重新開啓及審視在原生地所學習到的美術觀念,從純美學技法擴展到更多對視覺藝術理論的思考及反思,在老師的引導及藝術氛圍的環境影響下,她們又再一次對視覺藝術的認知及個人藝術追求上更上一層樓。Liu Yan, a mainland Chinese artist live in Canada, and Cheong Cheng Wa, a Macao artisth. Coincidentally or not, in 2006 they both began studying at the same time in France. This time, the two are showing their multimedia works in Macao.

  • 東西物語:瑣碎的短暫和無限

    chores: the transience & its immensity

    羅婉儀作品展
    Work by Yuen-yi Lo

    23/6 – 20/7/2019

    我的創作以鉛筆繪畫為開端,而發展。碎片是內容,是多年來存留下來的物;碎片是載體,都是生活裡存有的狀態;碎片是結果,完成的和未完成的。Fragments are the content of my work, meaning the objects that I have been keeping for all these years. Fragments can also be the media that carry my work, which are the ways that things exist in life.

  • 家·兩生花

    Home of Two Daughters

    左治家族圖片展
    Photos of José Vicente Jorge’s

    19/5 – 15/6/2019

    這個攝影展是獻給左治家族最小的兩個女兒,Henriqueta和Maria José。她們分別是澳門土生葡人巴彼得(Pedro Barreiros)和左家詩(Graça Pacheco Jorge)的母親,在其有生之年,他們竭盡所能地保存從家族繼承的物品和無形的精神資產,並不為餘力地宣揚他們一直引以為榮的身份——澳門土生葡人。 This photographic exposition is dedicated to the last girls of the Pacheco Jorge family, Henriqueta and Maria José, respectively the mothers of the Macanese Pedro Barreiros and Graça Pacheco Jorge, who have during their lives preserved the assets inherited from the family and contributed with it to divulge the so much debated Macanese identity.

  • 不確定美學 OOC RISOGRAPH & DESIGN 展

    UNCERTAINTY AESTHETICS OOC RISOGRAPH & DESIGN EXHIBITION

    14/4/2019 ––– 11/5/2019

    兩位設計師由字母、數字的概念出發,通過重覆與隨機的創作方法,各自表現出作品在不確定因素下所形成的另一種美學,是對現代社會力求盡善盡美,準確無誤現象下的一種吶喊。亦是作者對自身職業角色的部份偏執。With letter-and-number-based work produced in a creative approach stressing repetition and random composition, each of the two designers expresses a different type of aesthetic influenced by factors of uncertainty.

  • see

    施援程針孔影像展
    Pinhole Photography Exhibition by Cora Si WunCheng

    10/3 ––– 6/4/2019

    與其說這次展示的是攝影作品,對於我來說,它們更具抽象的概念。作者放棄了人們習以為常的表達方式,沒有使用光學鏡片去矯正影像畫面,更沒有經濾鏡調整影像的反差,只是純粹任由人的視覺,簡單評估構圖和光的入射。Cora refuses to rely on the visual language most people use in common – neither using optical lenses to revise the image nor adjusting the contrast of image through filters.

  • 繁花記

    Blossom Views

    唐重個人藝術作品展
    Art Exhibition by Tong Chong

    9/12/2018 ––– 13/1/2019

    面對唐重的"繁花",芸芸眾生或許更像種子,默然藏在黑暗而安全的泥土裡,甚至無法相信自己具有變成漂亮花朵的潛能。In contrast to Tong who has the courage to blossom, most of the people act like a frozen seed, hiding in the dark and playing safe in its comfort zone. Some are even unable to believe that they have the potential to blossom.

  • 陶・生活

    Throughout Life

    李舜如X施明坤X宅木--陶木展
    Ceramics by Alice Lee & Frankie See and Wooden Furniture by Zawood

    21/10 - 27/11/2018

    「陶・生活」展覽把藝術融合生活,記錄了這一時期兩位陶藝家的創作,結合木家具工藝,把两種重要的生活元素同時帶給觀眾,從而拉近藝術品和生活用品的關係。The Throughout Life exhibition marries art with life, recording the creations of the two potters in this period, and in combination with the showcase of wood furniture craftsmanship, the event brings together the two important elements to visitors, thus bringing closer artwork and daily chores.

  • 6075 澳門酒店藝術博覽會

    6075 Macau Hotel Art Fair

    11-14/10/2018

    中西文化的交匯為城市發展注入活力,使澳門形成了具有文化多樣性與創新性的城市精神。藝術與多元產業發展的融合將加快澳門特別行政區在文化領域上的持續發展。Macau is characterised by its vibrancy and uniqueness. The intersection of the Chinese and Western cultures sharps the city spirit of innovation and cultural diversity. Fusion of art and diversified development of different industries accelerate and sustain the cultural development in Macau SAR.

  • 嬝娜:攝影展

    Slender Grace : a Photo Exhibition

    區雁華 X 楊冠瑩
    NganWa Ao (Kate Samozwaniec) X Ieong Kun Ieng (Summer)

    2/9-9/10/2018

    當人脫去衣裳,只呈現面孔,同樣的背景及燈光,沒有姿態,放下裝備地被攝,以放鬆及自然形態入鏡,這種沒有設定一個展示模式的攝影,就是最真實嗎?Question: Does the most realistic photo happens when people are captured impromptu, with their clothes off and only faces shown, against a same background and lighting, without any pose or attention – in short, when they are photographed in a relaxing and natural status?

  • 內港社區小誌作品展(2018)

    Inner Harbour Zine Exhibition

    4/8-31/10/2018

    「內港社區小誌」計劃,由弘藝峰創作社主辧,以社區藝術活動為定位,目的是將社區的面貎與故事,以視覺藝術「活化」,透過創作小誌,深刻地記錄、生動地呈現,保留有價值的、具時代性的記錄。內港沿岸區域,南起媽閣,一直通往沙梨頭街市,沿線內街窄巷縱橫,為澳門具城市發展痕跡的舊區,於產業脈絡、人口特徵、地理環境、經濟及生活情況等,均與澳門大環境的發展存在距離及差異,然而,區內又零星保留着特定的歷史文化價值及其獨特性,以及很多值得被記錄下來的故事。

弘藝峰創作社 | Arts Empowering Lab
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澳門卑第圍1號地下

Patio do Padre Narciso No 1,R/C,Macau.

aelartmo@gmail.com​

+853 6595 7203

開放時間:星期一至六 (11:15-18:30)   星期日 (10:00-17:00)

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